By Ayesha Khan 
Mumbai, December 6: By late afternoon on Friday, the chatter in Mumbai’s TV circles had shifted almost entirely to Sara Khan and Krish Pathak, whose wedding pictures were arriving in waves. Nobody seemed surprised that the couple had decided on two separate ceremonies, but the way they went about it caught people’s attention all the same.
The Hindu wedding, held on December 5, looked like something out of a family album rather than a staged celebrity shoot. Sara stepped out in a deep red lehenga, an old-school bridal shade that felt almost nostalgic. Her sindoor stood out sharply in the frame. Krish, calmer than the crowd buzzing around him, wore a sherwani that didn’t try to compete with her colour or embroidery. According to India Today, this was the ceremony the families had been preparing for over months. The legal part had been sorted earlier, on October 6, at a Mumbai court without much fuss.
The nikah, though, had a completely different mood. Hindustan Times reported that the couple chose ivory for the day, and the photographs back that up. The tones were muted, softer. They looked less posed. Maybe because the second ceremony settled whatever nerves the first one stirred. A few guests said the switch from red to white almost felt symbolic, although nobody spelt out what exactly it symbolised.
And then came the caption that was impossible to ignore: “QUBOOL HAI se SAAT PHERE tak… Our love wrote its own script, and both our worlds said yes.” That line travelled faster than any official announcement. It sounded personal, not polished, and maybe that’s why fans latched onto it so quickly.
A Reception Full Of Familiar Faces
A reception followed the Hindu rituals, though it unfolded more like a reunion than a formal event. Television actors who rarely appear in the same room anymore ended up sharing tables, greeting each other with that mix of warmth and industry politeness that only Mumbai can produce. A few blurry phone videos surfaced, nothing too revealing, but enough to show that the energy stayed upbeat well into the night.
There were no long speeches or dramatic moments that usually accompany celebrity celebrations. Most of the updates came from quick posts and short glimpses rather than coordinated releases. Still, the gathering seemed to matter to the people there, especially those who’ve known Sara since her “Bidaai” days.
Why This Wedding Became A Talking Point
Plenty of actors get married each year without dominating social feeds. This one cut through because of timing, context, and the couple at the centre of it. With national debates around interfaith relationships running hot, the decision to hold both ceremonies without blending them into one was a statement in itself. Not loud, not defensive. Just present.
NDTV noted how warmly fans reacted, calling the mix of rituals “beautiful” rather than contentious. The attention wasn’t driven by controversy but by curiosity, which is unusual these days. A wedding became a reminder quiet, but clear that personal choices can coexist with tradition without turning into a spectacle.
Where The Couple Comes From
Sara Khan has been on Indian television for long enough that audiences feel they’ve grown up with her. The Indian Express pointed out that this is her second marriage, following her earlier wedding to actor Ali Merchant, which had unfolded in full public view. This time, the tone around her personal life feels noticeably gentler.
Krish Pathak has lived with a different kind of visibility. Being the son of Sunil Lahri, still remembered for playing Lakshman in the legendary “Ramayan,” put him in a recognisable space even before he stepped into the industry. Yet he’s kept a lower profile than most star kids. At least until now. The wedding has changed that overnight, though he doesn’t look too concerned about the shift.
What Happens Next
Neither family has pushed out official statements beyond the basics. And the couple seems content letting the photographs circulate while they step away from the glare for a moment. No word on travel plans or any follow-up rituals. It wouldn’t be surprising if they simply take a breather, considering how quickly the last 48 hours escalated.
For now, the two sets of ceremonies tell the story well enough. Two traditions. Two outfits. Two families choosing to meet in the middle without trying to redesign anything. The rest will unfold when they let it.
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- Ayesha Khanhttps://hindustanherald.in/authors/ayesha/
- Ayesha Khanhttps://hindustanherald.in/authors/ayesha/
- Ayesha Khanhttps://hindustanherald.in/authors/ayesha/
- Ayesha Khanhttps://hindustanherald.in/authors/ayesha/
